Helen Mirren on Vasily Kandinsky / MOMA Video




There is much written – available online, about Kandinsky the “petrified icon”. I will only comment that to me, these two works are the same painting.

Composition VIII, 1923

Composition IV, 1911


Psychological Nuttiness Strikes Again / Theories of Emotion

from verywell.com

What Are the 6 Major Theories of Emotion?

Some of the Major Theories to Explain Human Emotions

By Kendra Cherry, Updated May 10, 2017

What Is Emotion?

In psychology, emotion is often defined as a complex state of feeling that results in physical and psychological changes that influence thought and behavior. (We’re knee deep in magical thinking already – inverted and circular “reasoning” at the same time!)

Emotionality is associated with a range of psychological phenomena, including temperament, personality, mood, and motivation. According to author David G. Meyers, human emotion involves “…physiological arousal, expressive behaviors, and conscious experience.” (Just what do “psychological” and “conscious” mean here? Psychology is rife with “opportunities” for misinformation and crazy interpretation because it lacks self-regulation for standards of “scientific behavior” on the part of its researchers and practitioners. It is a “secular religion”)

Theories of Emotion

The major theories of motivation (?) can be grouped into three main categories: physiological, neurological, and cognitive. (This implies that neurological activity and cognitive activity are not physical phenomenon) Physiological theories suggest that responses within the body are responsible for emotions.

Neurological theories propose that activity within the brain leads to emotional responses. Finally, cognitive theories argue that thoughts and other mental activity play an essential role in forming emotions. (that chopping up into categorical objects again – thoughts and whatever other “mental activity” refers to – are held to be objects that act on other objects. Psychology is hopelessly stuck in a pre-20th C. conception of “physics” –

Where have psychologists been for the past 100+ years of scientific revolution?

Evolutionary Theory of Emotion

It was naturalist Charles Darwin (also a geologist) who proposed that emotions evolved because they were adaptive and allowed humans and animals to survive and reproduce. Feelings of love and affection lead people to seek mates and reproduce. Feelings of fear compel people to either fight or flee the source of danger. (Oh dear, the social narrative intrudes, as usual)

According to the evolutionary theory of emotion, our emotions exist because they serve an adaptive role. Emotions motivate people to respond quickly to stimuli in the environment, which helps improve the chances of success and survival. (Standard social blah, blah, blah)

Understanding the emotions of other people and animals also plays a crucial role in safety and survival. If you encounter a hissing, spitting, and clawing animal, chances are you will quickly realize that the animal is frightened or defensive and leave it alone. By being able to interpret correctly the emotional displays of other people and animals, you can respond correctly and avoid danger. (That’s it? That’s not a theory. That’s a script for a PBS kid’s show.)

The James-Lange Theory of Emotion

The James-Lange theory is one of the best-known examples of a physiological theory of emotion. Independently proposed by psychologist William James and physiologist Carl Lange, the James-Lange theory of emotion suggests that emotions occur as a result of physiological reactions to events. (A scientific theory does not “suggest” – it produces one or more testable hypotheses; generates valid experiments and must be independently confirmed or disproven. Neurotypicals reject this method, because they only believe in “social” authority. Independent “reality” does not exist for them.)

This theory suggests that when you see (or sense – we have multiple senses) an external stimulus that leads to a physiological reaction. (This is so.) Your emotional reaction is dependent upon how you interpret those physical reactions.

For example, suppose you are walking in the woods and you see a grizzly bear. You begin to tremble, and your heart begins to race. The James-Lange theory proposes that you will interpret your physical reactions and conclude that you are frightened (“I am trembling. Therefore, I am afraid”). According to this theory of emotion, you are not trembling because you are frightened. Instead, you feel frightened because you are trembling.

(Amazing how the standard “fear response” – common to primates, mammals and other animals, can be “negated” by “pausing” to think about what’s going on – and coming up with a “cognitive interpretation” of one’s physiologic response to an ACTUAL threat – the presence of a grizzly bear: fear is an instinctual response – WHATEVER WORD(S) YOU CHOOSE TO DESCRIBE IT. This scenario is plausible and applicable only if there is no danger present. If you are sitting quietly in your living room, and experience the rush of adenaline, etc, that is the FFF response, you might stop to think “Gee, there’s no danger present, but I feel afraid – this must be a “false alarm” – and this realization may result in a cessation of the physiological response. But – anyone who makes this “interpretation” when confronted by actual threat will be in serious trouble.

The Cannon-Bard Theory of Emotion

Another well-known physiological theory is the Cannon-Bard theory of emotion. Walter Cannon disagreed with the James-Lange theory of emotion on several different grounds. First, he suggested, people can experience physiological reactions linked to emotions (?) without actually feeling those emotions. For example, your heart might race because you have been exercising and not because you are afraid. (Mind-boggling)

Cannon also suggested that emotional responses occur much too quickly for them to be simply products of physical states. (Beyond mind-boggling)

When you encounter a danger in the environment, you will often feel afraid before you start to experience the physical symptoms associated with fear such as shaking hands, rapid breathing, and a racing heart. (Okay, this is simply stupid! We are confronted again by “supernatural” fear that precedes the actual physical response that IS FEAR. And this “supernatural” power travels faster than the speed of light. LOL!)

Cannon first proposed his theory in the 1920s and his work was later expanded on by physiologist Philip Bard during the 1930s. According to the Cannon-Bard theory of emotion, we feel emotions and experience physiological reactions such as sweating, trembling, and muscle tension simultaneously.

(Gee, could it be that these two “categorical objects” are one and the same phenomenon – that “emotions ARE physiological responses? This is an example of the archaic conception of “mind and body” as separate “things” – and the attribution to a supernatural dimension the “magical patterns and templates” that  are believed to “create” reality.)

More specifically, it is suggested that emotions result when the thalamus sends a message to the brain in response to a stimulus, resulting in a physiological reaction. At the same time, the brain also receives signals (via amorphous goo from the supernatural dimension?) triggering the emotional experience. Cannon and Bard’s theory suggests that the physical and psychological experience of emotion happen at the same time and that one does not cause the other. (Separate but equal? That’s justice!)

(The neurotypical brain simply cannot let go of the “magical thinking” stage common in childhood, which attributes all phenomena to MAGICAL POWERS that defy physical reality. ‘Psychological’ refers to the imaginary explanations and narratives that are necessary to the neotenic brain, which is frozen in infantile conceptions. These narratives are created by social indoctrination into a subjective and isolated cultural context)

Schachter-Singer Theory

Also known as the two-factor theory of emotion, the Schachter-Singer Theory is an example of a cognitive theory of emotion. This theory suggests that the physiological arousal occurs first, and then the individual must identify the reason for this arousal to experience and label it as an emotion. (At last – someone recognizes “emotion words” as LABELS) A stimulus leads to a physiological response that is then cognitively interpreted and labeled which results in an emotion. (AYE, yai, yai! The “emotion” IS the physiological response. The “labels” are the myriad words that children are taught to use to “parse” the physical experience into socially-approved verbal expressions. Only social humans could invent this awkward imposition of “cognition as verbal manipulation” as existing prior to instinct in evolution.)

Schachter and Singer’s theory draws on both the James-Lange theory and the Cannon-Bard theory of emotion. Like the James-Lange theory, the Schachter-Singer theory proposes that people do infer emotions based on physiological responses. The critical factor is the situation and the cognitive interpretation that people use to label that emotion. (My head hurts, my stomach hurts, I’m out of exclamations of shock and disbelief. Children “learn” to label physiological response as “verbal” expressions, which are specific to their particular social and cultural context. Many societies also demand that “physical emotion responses” be quashed, hidden or forbidden expression.)

Like the Cannon-Bard theory, the Schachter-Singer theory also suggests that similar physiological responses can produce varying emotions. For example, if you experience a racing heart and sweating palms during an important math exam, you will probably identify the emotion as anxiety. If you experience the same physical responses on a date with your significant other, you might interpret those responses as love, affection, or arousal.

(This demolishes the idea that “emotions” are distinct categories of experience or “objects” in the brain, body or supernatural dimension. The ever-expanding array of “parts” that constitute brain and body in Western culture is astounding – and imaginary. The incredible number of “emotion words” in languages, do not each correspond to “an emotion”. They are invented labels.)

Cognitive Appraisal Theory

According to appraisal theories of emotion, thinking must occur first before experiencing emotion. Richard Lazarus was a pioneer in this area of emotion, and this theory is often referred to as the Lazarus theory of emotion.

According to this theory, the sequence of events first involves a stimulus, followed by thought which then leads to the simultaneous experience of a physiological response and the emotion. For example, if you encounter a bear in the woods, you might immediately begin to think that you are in great danger. This then leads to the emotional experience of fear and the physical reactions associated with the fight-or-flight response. (Nonsense again – this conceit that “conscious thinking via verbal language” is SUPERIOR to instinct screws up analysis of “how things work” The effectiveness of instinct is that you don’t have to THINK ABOUT IT! Instinctual behavior is automatic and has been aiding survival of myriad species for hundreds of millions of years!)

Facial-Feedback Theory of Emotion

The facial-feedback theory of emotions suggests that facial expressions are connected to experiencing emotions. (That does not a theory make) Charles Darwin and William James both noted early on that sometimes physiological responses often had a direct impact on emotion (for the love of sanity: the physiological response IS EMOTION), rather than simply being a consequence of the emotion. Supporters of this theory suggest that emotions are directly tied to changes in facial muscles. For example, people who are forced to smile pleasantly at a social function will have a better time at the event than they would if they had frowned or carried a more neutral facial expression.

(The “jump” from “reverse smiling” – mimicry – which may stimulate a pleasant “feeling” to the socially-mandated “having a better time at an event” demonstrates belief in contagious magic.)

What is the experiential phenomenon that is called EMOTION?

Emotion in animals is pretty simple: a subjective physiological reaction to “something” in the environment. What we call “emotion” is activation of the familiar “fight, flight or freeze response” that results from sensory stimulation, and is usually attuned to “danger”.

Emotion is a word: a noun, which designates an object that can be “named” – but the physical phenomenon is not an object: the naming of “emotions” is a socio-cultural activity. Nature never created an “emotion thing” that resides somewhere inside a human or animal; like other animals, we have a brain and nervous system which interacts with the environment, ostensibly for our benefit – to promote survival. Humans created the social “idea monstrosity” that claims to be “the truth” about how Homo sapiens works. Emotions are presented as parts “inside of you” – their location has been argued over forever! The heart, brain, gut, mysterious fluids, etc. have been given the attribution as the “seat” of emotion. Most “social” views of emotion are negative: weird and destructive animal inheritances that must be controlled, not surprisingly, by society!

Peculiar dogma plagues our concepts and application of “emotion rules” –  notions which are purely cultural and do not “transfer” from Western psychology to “all humans”. Psychology demands the conceit that ALL HUMANS are mere replicas of “normal humans” who happen to be white males; underneath all the obvious  “human diversity” of size, form, skin color, hair types, skull dimensions, manners, behaviors and individual preferences is a “white male” prototype. “Evolution” is deemed to be a “mistake” – all humans were meant to be white males in thought, behavior and belief; inferior mistakes ought to at least “mimic” their superiors.

This promotion of a bizarre “evolutionary” fantasy sounds ridiculous when plainly stated; a farce, a narrative born of childish arrogance, a sociopathic “plan” for world domination, and yet this Western psychological addiction to imaginary superiority is supported, promoted and fed by American Psychology – in theory, policy and practice.

As usual, we must go back to basics to untangle the mess surrounding “emotions” and the “off-topic” arguments over good and evil, positive and negative, male and female, race and class, biology and religion, authority and expertise and supernatural origins, which are indulged as serious consequences of human beliefs (not facts) of what we call “emotions” – fact, myth and propaganda.

Example 1.

From Gerrig, Richard J. & Philip G. Zimbardo (a self-diagnosed psychopath, BTW) . Psychology And Life, 16th ed.  Published by Allyn and Bacon, Boston, MA. Copyright (c) 2002 by Pearson Education.

Emotion:  A complex pattern of changes, including physiological arousal, feelings, cognitive processes, and behavioral reactions, made in response to a situation perceived to be personally significant. (Wow! Considerable “mumbo-jumbo” ahead)

Emotional intelligence: Type of intelligence defined as the abilities to perceive, appraise, and express emotions accurately and appropriately, to use emotions to facilitate thinking, to understand and analyze emotions, to use emotional knowledge effectively, and to regulate one’s emotions to promote both emotional and intellectual growth. (See? Mumbo-jumbo of the ‘throw in every Psych-concept cliché you can think of’ type)

Example 2.

Paul Thagard Ph.D./ What Are Emotions? / April 15, 2010

Happiness is a brain process 

Philosophers and psychologists have long debated the nature of emotions such as happiness. Are they states of supernatural souls, cognitive judgments about goal satisfaction, or perceptions of physiological changes? Advances in neuroscience suggest how brains generate emotions through a combination of cognitive appraisal and bodily perception.

Suppose that something really good happens to you today: you win the lottery, your child gets admitted to Harvard, or someone you’ve been interested in asks you out. Naturally, you feel happy, but what does this happiness amount to? On the traditional dualist view of a person, you consist of both a body and a soul, and it is the soul that experiences mental states such as happiness. This view has the appealing implication that you can even feel happiness after your body is gone, if your soul continues to exist in a pleasant location such as heaven. Unfortunately, there is no good evidence for the existence of the soul and immortality, so the dualist view of emotions and the mind in general can be dismissed as wishful thinking or motivated inference. (Not so fast: this “duality” remains the hard-core belief of the “majority” of people in the U.S. And, as we shall see, in American Psychology.)

There are currently two main scientific ways of explaining the nature of emotions. According to the cognitive appraisal theory emotions are judgments about the extent that the current situation meets your goals. Happiness is the evaluation that your goals are being satisfied, as when winning the lottery solves your financial problems and being asked out holds the promise of satisfying your romantic needs. Similarly, sadness is the evaluation that your goals are not being satisfied, and anger is the judgment aimed at whatever is blocking the accomplishment of your goals. (BTW, this is not a scientific theory – it is a social narrative)

Alternatively, William James and others have argued that emotions are perceptions of changes in your body such as heart rate, breathing rate, perspiration, and hormone levels. (A reasonable proposition based in physiology) On this view, happiness is a kind of physiological perception, not a judgment, and other emotions such as sadness and anger are mental reactions (why is “mental” used here? That “ghostly” duality again!) to different kinds of physiological stages. The problem with this account is that bodily states do not seem to be nearly as finely tuned as the many different kinds of emotional states.Yet there is undoubtedly some connection between emotions and physiological changes. (OMG! This is a rambling misconception of a “supernatural origin of emotions” and refutation of physical reality as the foundation for valid hypotheses about thought and behavior in humans. This brilliantly demonstrates the serious mistake of believing that words are “actual objects” that precede and supersede physical reality. This is word magic – the belief that words have the power to create reality – Abracadabra!)

Understanding how the brain works shows that these theories of emotion – cognitive appraisal and physiological perception – can be combined into a unified account of emotions. (are you ready for some fabulous psych nonsense?) The brain is a parallel processor, doing many things at once. Visual and other kinds of perception are the result of both inputs from the senses and top-down interpretations based on past knowledge. Similarly, the brain can perform emotions by interactively combining both high-level judgments about goal satisfactions and low-level perceptions of bodily changes. The judgments are performed by the prefrontal cortex which interacts with the amygdala and insula that process information about physiological states. Hence happiness can be a brain process that simultaneously makes appraisals and perceives the body. For details about how this might work, see the EMOCON model of emotional consciousness (link is external).

Before we proceed to, Major Theories of Emotion,

(I desperately need a break)

let’s peruse a few “general” definitions of emotion.

Word origin of ’emotion’: from old French esmovoir to excite, from Latin ēmovēre to disturb, from movēre to move (this is the same, regardless of the specific definition)

Note how many “non-physical” reference words are included

Thanks to FARLEX ONLINE, which collects stuff for you, in one place.


a state of arousal characterized by alteration of feeling tone and by physiologic behavioral changes. The external manifestation of emotion is called affect; a pervasive and sustained emotional state, mood. adj., adj emo´tional. The physical form of emotion may be outward and evident to others, as in crying, laughing, blushing, or a variety of facial expressions. However, emotion is not always reflected in one’s appearance and actions even though psychic changes (duality again) are taking place. Joy, grief, fear, and anger are examples of emotions.

Miller-Keane Encyclopedia and Dictionary of Medicine, Nursing, and Allied Health, Seventh Edition. © 2003 by Saunders, an imprint of Elsevier, Inc. All rights reserved.


A strong feeling, aroused mental state, or intense state of drive or unrest, which may be directed toward a definite object and is evidenced in both behavior and in psychological changes, with accompanying autonomic nervous system manifestations.

Farlex Partner Medical Dictionary © Farlex 2012


a strong feeling state, arising subjectively and directed toward a specific object, with physiological, somatic, and behavioral components.

Dorland’s Medical Dictionary for Health Consumers. © 2007 by Saunders, an imprint of Elsevier, Inc. All rights reserved.


1. A mental state that arises spontaneously rather than through conscious effort and is often accompanied by physiological changes; a feeling: the emotions of joy, sorrow, and anger.

2. Such mental states or the qualities that are associated with them, especially in contrast to reason: a decision based on emotion rather than logic. (That duality again, when “reason” and emotion are not opposed in human behavior, but work together)!

The American Heritage® Medical Dictionary Copyright © 2007, 2004 by Houghton Mifflin Company. Published by Houghton Mifflin Company. All rights reserved.


1 the outward expression or display of mood or feeling states.

2 the affective aspect of consciousness as compared with volition and cognition. Physiological alterations often occur with a marked change of emotion regardless of whether the feelings are conscious or unconscious, expressed or unexpressed. See also emotional need, emotional response. (“Conceptual clichés” again)

Mosby’s Medical Dictionary, 9th edition. © 2009, Elsevier.


Psychology A mood, affect or feeling of any kind–eg, anger, excitement, fear, grief, joy, hatred, love. See Negative emotion, Positive emotion, Toxic emotion. (Yeah, a list of emotion words is not a definition; neither is a social “judgement” about “good and evil”) 

Concise Dictionary of Modern Medicine. © 2002 by The McGraw-Hill Companies, Inc.


Any state of arousal in response to external events or memories of such events that affect, or threaten to affect, personal advantage. Emotion is never purely mental (emotion is physical, actually) but is always associated with bodily changes such as the secretion of ADRENALINE and cortisol and their effects. The limbic system and the hypothalamus of the brain are the mediators of emotional expression and feeling. The external expression of emotional content is known as ‘affect’. Repressed emotions are associated with psychosomatic disease. The most important, in this context, are anger, a sense of dependency, and fear. (Oh dear, the unscientific social narratives never end – emotions  are the “bringers” of pestilence and punishment.)

Collins Dictionary of Medicine © Robert M. Youngson 2004, 2005


a short-term positive or negative affective state. Typically differentiated from mood in that an emotion is of shorter duration and evoked in response to a specific event, such as anger. (So odd! Anger is  the ’emotion’ – reaction; there seems to be a universal neurotypical inability to discern cause and effect!)

Dictionary of Sport and Exercise Science and Medicine by Churchill Livingstone © 2008 Elsevier Limited. All rights reserved.


a complex feeling or state (affect) accompanied by characteristic motor and glandular activities; feelings; mood.

Mosby’s Dental Dictionary, 2nd edition. © 2008 Elsevier, Inc. All rights reserved.


aroused state involving intense feeling, autonomic activation and related behavior. Animals have emotions insofar as they are motivated to behave by what they perceive and much of the reaction is learned rather than intuitive (instinctive) (Hmm … the categorical division  animal  / human is maintained, but with animal emotion being “lower in status” – a mere reaction – which is true in humans also. The reactions are based on rewarding and adversive properties of stimuli from the external environment. The center for the control of emotional behavior is the limbic system of the brain.

Saunders Comprehensive Veterinary Dictionary, 3 ed. © 2007 Elsevier, Inc. All rights reserved.

Is there any question as to why social  humans cannot communicate with each other?  Without a foundation in physical fact and common meaning, language is gibberish – an extension of confused personal opinion, narcissism and nonsense.; a toy, a sham, a hindrance to understanding.

Asperger Emotion / Music and Visual Art

Music expresses and elicits “feeling” – I don’t need words to describe my reactions to music; in fact, words are simply inadequate.  “Amazing” “Brilliant” and  such word-reactions are completely without depth.

Visual art both expresses and elicits “feelings”  – I don’t need words to describe my relationship to visual art, although specific paintings, or other objects and images, may induce expressions of “meaning” that can be communicated in words.

The pagan goddess of love: Sandro Boticelli’s “Birth of Venus” ca. 1480 AD remains, after 500 years, an awestruck view of the natural female

Case in point: Sandro Boticelli’s vast canvas, The Birth of Venus, mesmerized me when I first came across a reproduction in an art book. I had never before seen an image of a female as a “natural being” – and not some trussed up, disguised and despised “product” of social manipulation.  A goddess, no less.  Timeless; a living being outside social jeopardy; worthy of admiration. I did not understand this in words. I felt it, intuited it, as an image that rescued a worthy perception of myself as female; a powerful antidote to the miserable characterizations of doomed females in American culture. Women were routinely characterized as defective, cursed, a nuisance: women in Western culture had become miserable servants, “wedded” prostitutes and baby makers – held to be mentally inferior and emotionally-ill by (God’s) social definition. All that, I understood in one image: experience brought the message into ‘cognitive” focus.

The “reality” of discrimination and inferior status as a female grew ever more damaging and overwhelming as I grew from a child to into a young adult, the time when one “enters” society, and the expectation is conformity to one’s role, no matter how against reason and compassion that role may be. The backlash was especially severe when I tried to fulfill that “positive” image of a natural female within the confines of misogynist American culture.

Asperger types are characterized as unfeeling, uncaring and “subhuman” – a declaration that I have found to be a useful “excuse” for bullying of every type: the dumb animal cannot “feel” the pain, and is therefore, fair game.

The Americanization of Mental Illness / Cultural Aggression – Globalization

This article exposes one of the “unnoticed costs” of globalization and American cultural aggression: a type of modern Trojan Horse, in the guise of “scientific progress” in the concept of mental illness and the very definition of “what it means to be a human being”.

What I have been maintaining throughout my blog, is that this same “cultural” extermination of “humanistic” ideas about human behavior, has been perpetrated on the American Public – with the same disastrous results! More “so-called” pathologies  / mental illnesses, disorders, defective children, addictions and trauma, and more so-called “need” for “intervention and treatment” and an unprecedented growth in the industries that profit from what is a “crime against humanity”… invented pathologies that destroy societies, communities, families and individuals, and education, by a “takeover” of  existing diverse American and now, world  cultures under one perverse ideology.   

The Americanization of Mental Illness


a few excerpts – see original article: http://www.nytimes.com/2010/01/10/magazine/10psyche-t.html

AMERICANS, particularly if they are of a certain leftward-leaning, college-educated type, worry about our country’s blunders into other cultures. In some circles, it is easy to make friends with a rousing rant about the McDonald’s near Tiananmen Square, the Nike factory in Malaysia or the latest blowback from our political or military interventions abroad. For all our self-recrimination, however, we may have yet to face one of the most remarkable effects of American-led globalization. We have for many years been busily engaged in a grand project of Americanizing the world’s understanding of mental health and illness. We may indeed be far along in homogenizing the way the world goes mad.

In any given era, those who minister to the mentally ill — doctors or shamans or priests — inadvertently help to select which symptoms will be recognized as legitimate. Because the troubled mind has been influenced by healers of diverse religious and scientific persuasions, the forms of madness from one place and time often look remarkably different from the forms of madness in another.

That is until recently.

For more than a generation now, we in the West have aggressively spread our modern knowledge of mental illness around the world. We have done this in the name of science, believing that our approaches reveal the biological basis of psychic suffering and dispel prescientific myths and harmful stigma. There is now good evidence to suggest that in the process of teaching the rest of the world to think like us, we’ve been exporting our Western “symptom repertoire” as well. That is, we’ve been changing not only the treatments but also the expression of mental illness in other cultures. Indeed, a handful of mental-health disorders — depression, post-traumatic stress disorder and anorexia among them — now appear to be spreading across cultures with the speed of contagious diseases. These symptom clusters are becoming the lingua franca of human suffering, replacing indigenous forms of mental illness.

What is being missed, Lee and others have suggested, is a deep understanding of how the expectations and beliefs of the sufferer shape their suffering. “Culture shapes the way general psychopathology is going to be translated partially or completely into specific psychopathology,” Lee says. “When there is a cultural atmosphere in which professionals, the media, schools, doctors, psychologists all recognize and endorse and talk about and publicize eating disorders, then people can be triggered to consciously or unconsciously pick eating-disorder pathology as a way to express that conflict.”

The problem becomes especially worrisome in a time of globalization, when symptom repertoires can cross borders with ease. Having been trained in England and the United States, Lee knows better than most the locomotive force behind Western ideas about mental health and illness. Mental-health professionals in the West, and in the United States in particular, create official categories of mental diseases and promote them in a diagnostic manual that has become the worldwide standard. American researchers and institutions run most of the premier scholarly journals and host top conferences in the fields of psychology and psychiatry. Western drug companies dole out large sums for research and spend billions marketing medications for mental illnesses. In addition, Western-trained traumatologists often rush in where war or natural disasters strike to deliver “psychological first aid,” bringing with them their assumptions about how the mind becomes broken by horrible events and how it is best healed. Taken together this is a juggernaut that Lee sees little chance of stopping.

“As Western categories for diseases have gained dominance, micro-cultures that shape the illness experiences of individual patients are being discarded,” Lee says. “The current has become too strong.”

THE IDEA THAT our Western conception of mental health and illness might be shaping the expression of illnesses in other cultures is rarely discussed in the professional literature. Many modern mental-health practitioners and researchers believe that the scientific standing of our drugs, our illness categories and our theories of the mind have put the field beyond the influence of endlessly shifting cultural trends and beliefs. After all, we now have machines that can literally watch the mind at work. We can change the chemistry of the brain in a variety of interesting ways and we can examine DNA sequences for abnormalities. The assumption is that these remarkable scientific advances have allowed modern-day practitioners to avoid the blind spots and cultural biases of their predecessors.

EVEN WHEN THE underlying science is sound and the intentions altruistic, the export of Western biomedical ideas can have frustrating and unexpected consequences. For the last 50-odd years, Western mental-health professionals have been pushing what they call “mental-health literacy” on the rest of the world. Cultures became more “literate” as they adopted Western biomedical conceptions of diseases like depression and schizophrenia. One study published in The International Journal of Mental Health, for instance, portrayed those who endorsed the statement that “mental illness is an illness like any other” as having a “knowledgeable, benevolent, supportive orientation toward the mentally ill.”

CROSS-CULTURAL psychiatrists have pointed out that the mental-health ideas we export to the world are rarely unadulterated scientific facts and never culturally neutral. “Western mental-health discourse introduces core components of Western culture, including a theory of human nature, a definition of personhood, a sense of time and memory and a source of moral authority. None of this is universal,” Derek Summerfield of the Institute of Psychiatry in London observes. He has also written: “The problem is the overall thrust that comes from being at the heart of the one globalizing culture. It is as if one version of human nature is being presented as definitive, and one set of ideas about pain and suffering. . . . There is no one definitive psychology.”

Depicting Madness / Social View of Mental Illness

Franz Joseph Gall examining the head of a pretty young girl, while three gentlemen wait in line. Coloured lithograph by E.H., 1825. Copyrighted work available under Creative Commons


Full article: https://www.theparisreview.org/blog/2015/04/22/madness-and-meaning

Madness and Meaning

By Andrew Scull, April 22, 2015

Depictions of insanity through history.

Modern psychiatry seems determined to rob madness of its meanings, insisting that its depredations can be reduced to biology and nothing but biology. One must doubt it. The social and cultural dimensions of mental disorders, so indispensable a part of the story of madness and civilization over the centuries, are unlikely to melt away, or to prove no more than an epiphenomenal feature of so universal a feature of human existence. Madness indeed has its meanings, elusive and evanescent as our attempts to capture them have been.

Western culture throughout its long and tangled history provides us with a rich array of images, a remarkable set of windows into both popular and latterly professional beliefs about insanity. The sacred books of the Judeo-Christian tradition are shot through with stories of madness caused by possession by devils or divine displeasure. From Saul, the first king of the Israelites (made mad by Yahweh for failing to carry out to the letter the Lord’s command to slay every man, woman, and child of the Amalekite tribe, and all their animals, too), to the man in the country of the Gaderenes “with an unclean spirit” (maddened, naked, and violent, whose demons Christ casts out and causes to enter a herd of swine, who forthwith rush over a cliff into the sea to drown), here are stories recited for centuries by believers, and often transformed into pictorial form. None proved more fascinating than the story of Nebuchadnezzar, the mighty king of Babylon, the man who captured Jerusalem and destroyed its Temple, carrying the Jews off into captivity all apparently without incurring divine wrath. Swollen with pride, however, he impiously boasts of “the might of my power,” and a savage and jealous God has had enough: driven mad, he “did eat grass as oxen, and his body was wet with the dew of heaven, till his hairs were grown like eagle’s feathers, and his nails like bird’s claws.” The description has proved irresistible to many an artist: above, an unknown German artist working in early fifteenth-century Regensburg provides a portrait of the changes madness wrought upon the sane.

Much more…

Critique of DSM 5 / No Medical Basis for Diagnoses

1_HgubUPoLvaikrySJGsQ40APacific Standard Magazine  

The Problem With Psychiatry, the ‘DSM,’ and the Way We Study Mental Illness

by Ethan Watters

Imagine for a moment that the American Psychiatric Association was about to compile a new edition of its Diagnostic and Statistical Manual of Mental Disorders. But instead of 2013, imagine, just for fun, that the year is 1880.

Transported to the world of the late 19th century, the psychiatric body would have virtually no choice but to include hysteria in the pages of its new volume. Women by the tens of thousands, after all, displayed the distinctive signs: convulsive fits, facial tics, spinal irritation, sensitivity to touch, and leg paralysis. Not a doctor in the Western world at the time would have failed to recognize the presentation. “The illness of our age is hysteria,” a French journalist wrote. “Everywhere one rubs elbows with it.”

Hysteria would have had to be included in our hypothetical 1880 DSM for the exact same reasons that attention deficit hyperactivity disorder is included in the just-released DSM-5. The disorder clearly existed in a population and could be reliably distinguished, by experts and clinicians, from other constellations of symptoms.

There were no reliable medical tests to distinguish hysteria from other illnesses then; the same is true of the disorders listed in the DSM-5 today.

“Practically speaking, the criteria by which something is declared a mental illness are virtually the same now as they were over a hundred years ago.”

The DSM determines which mental disorders are worthy of insurance reimbursement, legal standing, and serious discussion in American life.

That its diagnoses are not more scientific is, according to several prominent critics, a scandal.

In a major blow to the APA’s dominance over mental-health diagnoses, Thomas R. Insel, director of the National Institute of Mental Health, recently declared that his organization would no longer rely on the DSM as a guide to funding research. “The weakness is its lack of validity,” he wrote. “Unlike our definitions of ischemic heart disease, lymphoma, or AIDS, the DSM diagnoses are based on a consensus about clusters of clinical symptoms, not any objective laboratory measure. In the rest of medicine, this would be equivalent to creating diagnostic systems based on the nature of chest pain or the quality of fever.” As an alternative, Insel called for the creation of a new, rival classification system based on genetics, brain imaging, and cognitive science.

This idea — that we might be able to strip away all subjectivity from the diagnosis of mental illness and render psychiatry truly scientific — is intuitively appealing. But there are a couple of problems with it. The first is that the science simply isn’t there yet. A functional neuroscientific understanding of mental suffering is years, perhaps generations, away from our grasp. What are clinicians and patients to do until then? But the second, more telling problem with Insel’s approach lies in its assumption that it is even possible to strip culture from the study of mental illness. Indeed, from where I sit, the trouble with the DSM — both this one and previous editions — is not so much that it is insufficiently grounded in biology, but that it ignores the inescapable relationship between social cues and the shifting manifestations of mental illness.

PSYCHIATRY tends not to learn from its past. With each new generation, psychiatric healers dismiss the enthusiasms of their predecessors by pointing out the unscientific biases and cultural trends on which their theories were based. Looking back at hysteria, we can see now that 19th-century doctors were operating amidst fanciful beliefs about female anatomy, an assumption of feminine weakness, and the Victorian-era weirdness surrounding female sexuality. And good riddance to bad old ideas. But the more important point to take away is this: There is little doubt that the symptoms expressed by those thousands of women were real.

The resounding lesson of the history of mental illness is that psychiatric theories and diagnostic categories shape the symptoms of patients. “As doctors’ own ideas about what constitutes ‘real’ dis-ease change from time to time,” writes the medical historian Edward Shorter, “the symptoms that patients present will change as well.”

This is not to say that psychiatry wantonly creates sick people where there are none, as many critics fear the new DSM-5 will do. Allen Frances — a psychiatrist who, as it happens, was in charge of compiling the previous DSM, the DSM-IV — predicts in his new book, Saving Normal, that the DSM-5 will “mislabel normal people, promote diagnostic inflation, and encourage inappropriate medication use.” Big Pharma, he says, is intent on ironing out all psychological diversity to create a “human monoculture,” and the DSM-5 will facilitate that mission. In Frances’ dystopian post-DSM-5 future, there will be a psychoactive pill for every occasion, a diagnosis for every inconvenient feeling: “Disruptive mood dysregulation disorder” will turn temper tantrums into a mental illness and encourage a broadened use of antipsychotic drugs; new language describing attention deficit disorder that expands the diagnostic focus to adults will prompt a dramatic rise in the prescription of stimulants like Adderall and Ritalin; the removal of the bereavement exclusion from the diagnosis of major depressive disorder will stigmatize the human process of grieving. The list goes on.

In 2005, a large study suggested that 46 percent of Americans will receive a mental-health diagnosis at some point in their lifetimes. Critics like Frances suggest that, with the new categories and loosened criteria in the DSM-5, the percentage of Americans thinking of themselves as mentally ill will rise far above that mark.

But recent history doesn’t support these fears. In 1994 the DSM-IV — the edition Frances oversaw — launched several new diagnostic categories that became hugely popular among clinicians and the public (bipolar II, attention deficit hyperactivity disorder, and social phobia, to name a few), but the number of people receiving a mental-health diagnosis did not go up between 1994 and 2005. In fact, as psychologist Gary Greenberg, author of The Book of Woe, recently pointed out to me, the prevalence of mental health diagnoses actually went down slightly. This suggests that the declarations of the APA don’t have the power to create legions of mentally ill people by fiat, but rather that the number of people who struggle with their own minds stays somewhat constant.

What changes, it seems, is that they get categorized differently depending on the cultural landscape of the moment. Those walking worried who would have accepted the ubiquitous label of “anxiety” in the 1970s would accept the label of depression that rose to prominence in the late 1980s and the 1990s, and many in the same group might today think of themselves as having social anxiety disorder or ADHD.

Viewed over history, mental health symptoms begin to look less like immutable biological facts and more like a kind of language. Someone in need of communicating his or her inchoate psychological pain has a limited vocabulary of symptoms to choose from. From a distance, we can see how the flawed certainties of Victorian-era healers created a sense of inevitability around the symptoms of hysteria. There is no reason to believe that the same isn’t happening today. Healers have theories about how the mind functions and then discover the symptoms that conform to those theories. Because patients usually seek help when they are in need of guidance about the workings of their minds, they are uniquely susceptible to being influenced by the psychiatric certainties of the moment. There is really no getting around this dynamic. Even Insel’s supposedly objective laboratory scientists would, no doubt, inadvertently define which symptoms our troubled minds gravitate toward. The human unconscious is adept at speaking the language of distress that will be understood.

WHY DO PSYCHIATRIC DIAGNOSES fade away only to be replaced by something new? The demise of hysteria may hold a clue. In the early part of the 20th century, the distinctive presentation of the disorder began to blur and then disappear. The symptoms began to lose their punch. In France this was called la petite hysterie. One doctor described patients who would “content themselves with a few gesticulatory movements, with a few spasms.” Hysteria had begun to suffer from a kind of diagnostic overload. By 1930s or so, the dramatic and unmistakable symptoms of hysteria were vanishing from the cultural landscape because they were no longer recognized as a clear communication of psychological suffering by a new generation of women and their healers.

It is true that the DSM has a great deal of influence in modern America, but it may be more of a scapegoat than a villain. It is certainly not the only force at play in determining which symptoms become culturally salient. As Frances suggests, the marketing efforts of Big Pharma on TV and elsewhere have a huge influence over which diagnoses become fashionable. Some commentators have noted that shifts in diagnostic trends seem uncannily timed to coincide with the term lengths of the patents that pharmaceutical companies hold on drugs. Is it a coincidence that the diagnosis of anxiety diminished as the patents on tranquilizers ran out? Or that the diagnosis of depression rose as drug companies landed new exclusive rights to sell various antidepressants? Consider for a moment that the diagnosis of depression didn’t become popular in Japan until Glaxo-SmithKlein got approval to market Paxil in the country.

Journalists play a role as well: We love to broadcast new mental-health epidemics. The dramatic rise of bulimia in the United Kingdom neatly coincided with the media frenzy surrounding the rumors and subsequent revelation that Princess Di suffered from the condition. Similarly, an American form of anorexia hit Hong Kong in the mid-1990s just after a wave of local media coverage brought attention to the disorder.

The trick is not to scrub culture from the study of mental illness but to understand how the unconscious takes cues from its social settings. This knowledge won’t make mental illnesses vanish (Americans, for some reason, find it particularly difficult to grasp that mental illnesses are absolutely real and culturally shaped at the same time). But it might discourage healers from leaping from one trendy diagnosis to the next. As things stand, we have little defense against such enthusiasms. “We are always just one blockbuster movie and some weekend therapist’s workshops away from a new fad,” Frances writes. “Look for another epidemic beginning in a decade or two as a new generation of therapists forgets the lessons of the past.” Given all the players stirring these cultural currents, I’d make a sizable bet that we won’t have to wait nearly that long.

Visual Thinking / Speyer Cathedral – Space Shuttle

A visual thinker files away information in the form of images that may be “triggered” by encounters, many years later, that recall a stored image. Often, these mean nothing – are simple coincidence; mere curiosities – and will be returned to visual memory, but “updated” by the comparison.

In this case, a chance “appearance” of a photo of Speyer Cathedral, found while searching for something else on the Internet, immediately produced in my mind, an image of the Space Shuttle. The striking similarity of forms passed from a coincidence to a curiosity – and then to an idea expressed by Oswald Spengler in Decline of the West:  – that Western Culture is driven by the desire to overcome the visible; to expand into time and space; to replace organic nature with machines.

A thousand years in time separate these two iconic products of Western Civilization: Is the space shuttle not the fulfillment of the cathedral? Note that the (abstract) concept of Western desire for domination and “spatial conquest” is represented in my visual brain by SPECIFIC concrete objects, which only then, can be “connected” to word concepts.


Speyer is dominated by its Romanesque cathedral (dedicated 1061). Speyer is one of Germany’s oldest cities and the resting place of eight medieval emperors and kings of the Salian, Staufer and Habsburg dynasties. History: Speyer was the seat of the Imperial Chamber Court between 1527 and 1689, and also held 50 sessions of the Imperial Diet. The First Diet of Speyer (1526) decreed toleration of Lutheran teaching, soon revoked by the Second Diet of Speyer (1529). The latter diet led to the Protestation at Speyer the same year, during which 6 princes and 14 Imperial Free Cities protested against the anti-Reformation resolutions. It is from this event that the term ‘Protestantism’ was coined.

The History of the Space Shuttle, by Alan Taylor, Jul 1, 2011 (Fabulous photos): From its first launch 30 years ago (1981) to its final mission scheduled for next Friday, NASA’s Space Shuttle program has seen moments of dizzying inspiration and of crushing disappointment. When next week’s launch is complete, the program will have sent up 135 missions, ferrying more than 350 humans and thousands of tons of material and equipment into low Earth orbit. The missions have been risky, the engineering complex, the hazards extreme. Indeed, over the years 14 shuttle astronauts lost their lives.